Illustration.

I began with illustration because it’s the medium I feel most confident in. Starting here allowed me to establish a strong visual foundation before exploring other techniques. I wanted to ensure that my initial design was well-developed so that I could adapt it seamlessly across different formats. My focus was on line work, as I felt this will help when translating it into other mediums.

Collage.

After completing my illustration, I moved on to collage. I approached this by gathering a variety of images, including houses, textures, and materials, to construct layered and visually engaging compositions. My goal was to experiment with different shapes and perspectives, allowing each collage frame to feel distinct while maintaining a cohesive style. I aimed to create new pieces that offered a fresh interpretation of my original illustration.

Charcoal.

Charcoal was an enjoyable and familiar medium to work with, as it allowed me to focus purely on form and contrast without the distraction of colour. I embraced the expressiveness of charcoal, using its deep blacks and subtle gradients to create a sense of depth and movement. However, since I wanted to incorporate red details, I later enhanced the piece in Photoshop. This combination of traditional and digital techniques helped me achieve the final vision I had in mind.

Pattern.

For the pattern frames, I drew inspiration from my artist research, where I studied creatives who heavily incorporate pattern into their work. I wanted to experiment with repetition, symmetry, and intricate detailing, ensuring that my design felt deliberate and well-structured. The challenge was to create something visually engaging while maintaining balance and harmony. By applying the techniques I observed in my research, I was able to craft a pattern that felt both personal and reflective of the influences I explored.